Assorted Updates

Over the last month or two we have seen more than the usual number of items in the press that tie into places we have visited recently. Here is a sampling:

La Brea Tarpits History. The Los Angeles Times ran a retrospective article, A mammoth move to the tar pits, on November 1, 2015 (November 2 print edition), pulling from coverage they did in 1967 explaining the history of the outdoor mammoth sculptures in and around the large tar lake in Hancock Park. The article included several striking photos of the sculptures being transported and put in place. The famous fiberglass mammoths at the La Brea tar pits have kept watch over Wilshire Boulevard for five decades. But few who gaze at the tourist attraction know how the prehistoric “creatures” got there. It turns out the first one got a lift from a 1958 Volkswagen.

Urban Planners Give Olvera Street a Shout Out. Also in the Los Angeles Times, we saw an article reporting on Olvera Street’s grand honor, namely national recognition as a “great street,” based on architectural features, accessibility, functionality, and community involvement. Downtown’s historic Olvera Street, one of the oldest streets in Los Angeles, was named this week as one of the country’s top five “Great Streets” by the American Planning Assn. The brick pedestrian street “is a place where visitors can get a taste of Mexican culture and a sense of the history that still stands preserved in the buildings and plazas that surround the street,” the association said in its designation.

Everybody Loves Vermeer. The Vermeer painting we loved so much when we saw it at the Timken Museum in San Diego — Woman in Blue Reading a Letter — has moved on, this time to the National Gallery in Washington, DC, where it will be on display just until December 1. NPR ran this story about the exhibition.

Timken Acquires New Art. Not content to rest on its laurels after the Vermeer and Raphael special exhibitions, the Timken Museum has purchased a painting, Saint Francis in Meditation by Francisco Zurbaran. The San Diego Union Tribune reported on the acquisition in an article in its October 30, 2015 online edition (November 1 print): The Timken Museum of Art has purchased Zurbarán’s 1635 masterpiece “Saint Francis in Meditation,” the first acquisition in a decade for the 50-year-old Balboa Park institution and the second Zurbarán acquired by a San Diego museum this year.

Hammer Museum Acquires More Room to Spread Out. Just after we had been on our most recent visit to the Hammer Museum in Westwood, we saw an article in the Los Angeles Times, More space, more room for art, which appeared online October 26, 2015 (October 27 in the print edition). The Hammer Museum at UCLA is expanding its footprint in Westwood, taking over five floors of the Occidental Petroleum office tower that will give the contemporary art institution more than 30% additional exhibition and administrative space. Until recently, the Hammer had leased its space from Occidental. Officials at the Hammer and UCLA said Monday that the expansion is part of a recent real estate deal in which the university has become the Hammer’s new landlord. UCLA said it has acquired a full city block of property from Occidental that includes the office tower and the museum building, both of which had belonged to the oil company. The acquisition also includes the 634-space underground parking garage.

Hammer Museum — Landscape Painting

Hammer Museum
Westwood
October 24, 2015

We did not expect to go back to the Hammer Museum so soon; we had last been here in August. But we were intrigued by Mike Boehm’s article which we saw in the Los Angeles Times on October 10, Brush with Conflict or Stroke of Genius?, about the Canadian landscape artist Lawren Harris. A follow up article appeared in the Times the day we went to the exhibit.

Hammer_Harris

The Harris paintings were quite striking. Although they are landscapes, they are somewhat abstract. There are echoes of art deco in them. A great range of Canadian geography was represented, from Lake Superior to Baffin Island to the Rocky Mountains. It reminded us of our trip to Canada last year, although we had stayed in urban areas of Ontario, but the exhibit inspired us, and perhaps we will go back to see some wilder places in the future. The Harris exhibit at the Hammer runs through January 24, 2016.

We toured the other special exhibitions, including three that were in small galleries: Avery Singer; Njideka Akunyili Crosby; and Jessica Jackson Hutchins. We enjoyed the intricate details and shapes and perspective of the paintings in the Singer exhibit. We also liked the collages by Crosby and Hutchins’ use of ceramics. We then went on to a larger exhibition of Frances Starks’ works. She uses quite a variety of different media, and there were several pieces we liked. We were most entertained by a three-dimensional piece: a black dress on which an old-fashioned rotary dial telephone face had been affixed. Margaret and Bob posed in front of it, with Margaret holding out a hand to make it appear she was dialing the phone, although of course she was not actually touching the art.

Hammer_phone

We ate lunch in the museum café and were all pleased with our food. Margaret had a good appetite, which was nice to see.

Museum admission is free. Parking on Saturday costs a flat $3 charge. Wheelchair accessibility is generally good, except that the doors into galleries are heavy and do not have automatic opening mechanisms. With two of us assisting Margaret, that is not an issue, but a wheelchair patron visiting alone would have to rely on staff and other patrons to open doors.

We did have a few odd moments in the museum parking garage when leaving. Margaret at first thought we were at the wrong car and did not want to get in it. We did finally convince her it was our car.

We then met up with Meredith’s sister Kathleen for coffee, and we gave Margaret a book of cartoons from the 1940’s that she had remembered recently, Barnaby and Mr. O’Malley, by Crockett Johnson. She was very pleased with the book, and Meredith read through the first chapter with her.

Hammer Museum

Hammer Museum
Westwood
August 1, 2015

Enough digression for now! Time for a blog post which is both about a museum AND located in Southern California. On this visit we took Margaret to the Hammer Museum. We have taken her there several times before, although not since we started keeping this blog. The Hammer has several things to recommend it: admission is free, the permanent collection includes some very nice pieces, and it is relatively close to Margaret’s home in the Valley, although traffic is usually bad on the West Side. We are not big fans of contemporary art, which is the Hammer’s focus, so we only visit there when there are exhibitions of particular interest to us.

Today we saw all three of the featured special exhibitions. The Afghan Carpet Project is displayed in a small gallery on the ground floor and consists of six handmade carpets, all designed by contemporary Los Angeles artists, then handmade by weavers in Afghanistan. That exhibit runs through September 27, 2015, and when it has closed the carpets will be sold and the proceeds given to the nonprofit organization Arzu Studio Hope, working in Afghanistan.

Hammer cat

We enjoyed the photography exhibition Perfect Likeness: Photography and Composition, which runs through September 13, 2015. Meredith had seen a review of the exhibition in the Los Angeles Times, Making Photos, Not Taking Them. As the title of the exhibition suggests, the photographs featured are very beautiful and carefully composed, truly works of art in photographic media. Meredith was particularly taken by a large photo of a river landscape. Margaret was struck by a still life featuring a cat statuette and a vase of flowers. Bob liked a camera shop photo staged recently but based on an old snapshot of a camera store in the 1930s. The third special exhibition, Scorched Earth, features paintings and mixed media pieces by Mark Bradford. It runs through September 27, 2015.

We finished our visit with a swing through the permanent collection, which features traditional art, mainly paintings, from the Renaissance through the Impressionist era. Several signature pieces are currently not on exhibit, and a guard said they were on loan to other museums. The galleries have been rearranged so no obvious holes in the collection exist. There were plenty of nice pieces left for us to enjoy, including a large Eakins painting and a small Monet.

Hammer cafe

Partway through our visit we stopped to have lunch in the museum café. The menu was more extensive than we had recalled, and we all enjoyed our meals. Margaret had a BLT, Bob a grilled ham and cheese sandwich, and Meredith salmon benedict. The café is located in the museum courtyard, and the setting is quite pleasant, shaded by Chinese elms. The menu prices were a little high, but not unusually so for a museum restaurant or for Westwood.

As noted above, museum admission is free. (Their slogan is “free for good.”) On Saturday and Sunday parking costs a flat $3 charge for all day; during the week parking costs $3 for 3 hours with validation by the museum. Wheelchair accessibility is generally good. The elevator is quick and serves all floors. However, doors into galleries are heavy and do not have automatic opening mechanisms. Staff and other patrons assisted us with those doors today.

Margaret finds the car to wheelchair transfers harder than before. She tires easily. We are hoping that physical therapy will help her build strength so she can stand longer and take more steps, and we are trying to encourage her.